MD Poll: All Hail the King

With just over a day until the "real thing", it's time to take a look at the final results of our latest MD Poll and see what movies and performers would win the top Academy Awards If You Picked the Oscars:

At close to 30% of the vote, The King's Speech was victorious as your Best Picture pick. However, second place went to Black Swan over the heavily favored The Social Network, which placed third. Inception and Toy Story 3 round out the top five.

Just as expected for tomorrow night, Colin Firth easily topped the Best Actor race, with Oscar co-host James Franco coming in a distant second for his performance in 127 Hours.

The Black Swan herself, Natalie Portman, triumphed as Best Actress, with her closest competition, The Kids Are All Right's Annette Bening placing second.

As for the supporting categories, one film delivered two knockout performances that you chose as the champions. With over half of the votes, The Fighter's Christian Bale was named your Best Supporting Actor. But it wasn't without a fight, as The King's Speech's Geoffrey Rush earned over half of the remaining votes.

The closest race, here and in reality, was for Best Supporting Actress. With just 0.5% of a difference, The Fighter's Melissa Leo squeaked past The King's Speech's Helena Bonham Carter for the win. Also making an impressive showing was True Grit's Hailee Steinfeld.

See the complete results in the comments section below, and be sure to tune in to the actual Oscars tomorrow night on ABC to see how well we matched the actual winners!

Men on Film: If We Picked the Oscars 2010

Borrowing a page from Siskel and Ebert back in the good ol' days, Movie Dearest's very own Men on Film — Chris Carpenter, Neil Cohen and yours truly — are presenting our own version of "If We Picked the Oscars"! These aren't predictions (you can see those here), but what movies, actors, directors, et al that we would vote for if we were members of the Academy.

So without further ado, the envelope please...

The nominees for Best Picture are: Black Swan, The Fighter, Inception, The Kids Are All Right, The King's Speech, 127 Hours, The Social Network, Toy Story 3, True Grit and Winter's Bone.
And our winners would be:
CC: The Social Network is the near-perfect standout for me out of an unusually strong list of contenders.
NC: The film that transported me to a fully realized and stylized world wasn't Inception. It was the Coen Brothers' vivid True Grit.
KH: Call me and my pick old fashioned, but I was swept up by the emotion and quiet power of The King's Speech.

The nominees for Best Actor are: Javier Bardem in Biutiful, Jeff Bridges in True Grit, Jesse Eisenberg in The Social Network, Colin Firth in The King's Speech and James Franco in 127 Hours.
And our winners would be:
CC: If these same performances were nominated any other year, I might well vote for Franco's intense, revelatory work in 127 Hours. However, since Firth was robbed for A Single Man, this is his year.
NC: I loved Bridges' rough and ready version of Rooster Cogburn, but Firth deserves to be rewarded for his second great performance in two years.
KH: Once again, Firth delivered a heartbreaking performance filled with strength and subtlety.

The nominees for Best Actress are: Annette Bening in The Kids Are All Right, Nicole Kidman in Rabbit Hole, Jennifer Lawrence in Winter's Bone, Natalie Portman in Black Swan and Michelle Williams in Blue Valentine.
And our winners would be:
CC: This is another incredibly strong list of performances and I'm feeling conflicted between Bening and Portman, but I would likely "vote with my heart" and go with Portman.
NC: I love Portman's cuckoo swan princess, but my vote goes with the tightly wound but oh so subtle work of Bening.
KH: I still can't get Portman's crazy ballerina out of my head.

The nominees for Best Supporting Actor are: Christian Bale in The Fighter, John Hawkes in Winter's Bone, Jeremy Renner in The Town, Mark Ruffalo in The Kids Are All Right and Geoffrey Rush in The King's Speech.
And our winners would be:
CC: Bale's is the showiest role and performance here, but I prefer the other more low-key nominees. I vote for the long admired but never-before-nominated Ruffalo, who was excellent as the unwilling pariah of a sperm donor/father.
NC: In another year, I'd have rushed to Rush's defense or gone to town with Renner, but how can you bail on Bale's brilliant transformation?
KH: Bale took enormous risks with a characterization that could have easily been too over-the-top.

The nominees for Best Supporting Actress are: Amy Adams in The Fighter, Helena Bonham Carter in The King's Speech, Melissa Leo in The Fighter, Hailee Steinfeld in True Grit and Jacki Weaver in Animal Kingdom.
And our winners would be:
CC: Similar to my feelings about Bale in the same film, I thought Leo's role/performance a bit too flashy. I would vote for the amazing Steinfeld and think most Academy voters are doing the same.
NC: Leo was spot-on as the trashy mom, but Steinfeld made an incredible first impression full of her own "true grit".
KH: Her co-star is getting all the press, but I was taken by Adams' ballsy "bar girl".

The nominees for Best Director are: Darren Aronofsky for Black Swan, Joel Coen & Ethan Coen for True Grit, David Fincher for The Social Network, Tom Hooper for The King's Speech and David O. Russell for The Fighter.
And our winners would be:
CC: Fincher's direction is masterful here, and he deserves an Oscar not only for it but his impressive body of work to date (Seven, Fight Club, Zodiac, The Curious Case of Benjamin Button, et al).
NC: Fincher is hard to argue with, but the Coen Brothers reined in their excesses (mostly) with True Grit. Their virtuoso work wiped the other directors from my mind.
KH: Hooper may be the least-known of the bunch, but that doesn't mean he doesn't deserve it.

The nominees for Best Adapted Screenplay are: 127 Hours, The Social Network, Toy Story 3, True Grit and Winter's Bone.
And our winners would be:
CC: The Social Network, hands down. No one would have thought the story of Facebook's founding could be so dramatic.
NC: That dialogue! So pure and so contraction-free! True Grit was the true favorite of mine and the script was the major reason.
KH: Toy Story 3 brought the beloved animated trilogy to a bittersweet close.

The nominees for Best Original Screenplay are: Another Year, The Fighter, Inception, The Kids Are All Right and The King's Speech.
And our winners would be:
CC: While it does reference many prior movies, intentionally and lovingly, Inception is still the most original and extraordinarily complex script out of this bunch.
NC: Taking her personal experience and turning it into a witty, controversial comedy, Lisa Cholodenko's script for The Kids Are All Right was all great.
KH: Have to give it to The King's Speech writer.

The nominees for Best Cinematography are: Black Swan, Inception, The King's Speech, The Social Network and True Grit.
And our winners would be:
CC: I love that four out of five of these films tended toward darkness and their DP's did equally great work, which makes it hard for me to single one of them out. I would vote here for the more traditional — and brighter — visual pageantry of The King's Speech.
NC: The burnished beauty of True Grit ruled over all the kings, swan queens, social media and dream weavers.
KH: The look of Black Swan had such a brittle realness to it that made the shocking weirdness all the more thrilling.

The nominees for Best Art Direction are: Alice in Wonderland, Harry Potter and the Deathly Hallows Part 1, Inception, The King's Speech and True Grit.
And our winners would be:
CC: Alice in Wonderland was a visual delight from beginning to end and the standout for me.
NC: Sure, it was a mess of a movie, but the Art Direction of Alice in Wonderland was divine.
KH: Unfazed by the glitz of the fantasy entrees, my vote would be for the period royal opulence of The King's Speech.

The nominees for Best Costume Design are: Alice in Wonderland, I Am Love, The King's Speech, The Tempest and True Grit.
And our winners would be:
CC: I Am Love boasts ravishing contemporary attire and star Tilda Swinton knows how to work it, but I vote for the various, more classic styles on display in The King's Speech.
NC: True, the Oscar-worthy Swinton looked glorious; but Alice in Wonderland trumped the others visually (if never emotionally).
KH: Again, royalty reigns for me with The King's Speech.

The nominees for Best Original Score are: How to Train Your Dragon, Inception, The King's Speech, 127 Hours and The Social Network.
And our winners would be:
CC: The composers of all these did very interesting work and I loved Hans Zimmer's frequent nods to the Bond movies' musical guru, the late John Barry, in Inception. However, The King's Speech score is the most emotionally affecting of them, which always gets me in the final analysis.
NC: Alexandre Desplat is my single favorite composer, and since he wasn't recognized for The Ghost Writer, he deserves an Oscar for his royal triumph in The King's Speech.
KH: How to Train Your Dragon's Celtic-flavored music scored with me.

The nominees for Best Original Song are: “Coming Home” from Country Strong, “I See the Light” from Tangled, “If I Rise” from 127 Hours and “We Belong Together” from Toy Story 3.
And our winners would be:
CC: “I See the Light” is a new classic among Disney films and other movie musicals. I predict it will also serve as a lovely wedding ballad for years to come.
NC: “I See the Light” is light and lovely.
KH: It's a toon tune sweep again: “I See the Light” was the highlight of Tangled.

The nominees for Best Film Editing are: Black Swan, The Fighter, The King's Speech, 127 Hours and The Social Network.
And our winners would be:
CC: This category is where Black Swan really scored for me. With its quick cuts between dance & drama and sanity & insanity, the editing was (as the film's lead character would surely agree) perfect.
NC: You almost want to black out from the wildly effective editing of Black Swan.
KH: It was the editing of 127 Hours that made it so "edge-of-your-seat" satisfying.

The nominees for Best Visual Effects are: Alice in Wonderland, Harry Potter and the Deathly Hallows Part 1, Hereafter, Inception and Iron Man 2.
And our winners would be:
CC: Inception may not have been the flashiest of the nominees, but its effects felt the most organic and realistic to me.
NC: Hereafter's tsunami recreated an event we all saw on CNN, but this is about the only place for me where Inception planted the idea of perfection in my mind.
KH: Inception brought it in the effects sequences, both big and small.

The nominees for Best Sound Mixing are: Inception, The King's Speech, Salt, The Social Network and True Grit.
And our winners would be:
CC: Inception featured the most "bang" in this category, especially when compared with the just plain noisy Salt.
NC: Again, Inception was a dream in this category.
KH: Remember the infamous ending of Inception...?

The nominees for Best Sound Editing are: Inception, Toy Story 3, Tron: Legacy, True Grit and Unstoppable.
And our winners would be:
CC: Inception, ditto my remark above but here applied to Unstoppable.
NC: Uh-oh, how did I end up giving Inception a third award? Because these accolades have nothing to do with its derivative script.
KH: ... we're still waiting for the sound of that top falling.

The nominees for Best Makeup are: Barney's Version, The Way Back and The Wolfman.
And our winners would be:
CC: Lycanthrope master Rick Baker scores again with the granddaddy of all cinematic werewolves, The Wolfman.
NC: True, Benecio del Toro is already half werewolf, but how can you compare the fabulous work Baker did with these other films?
KH: I just can't give it to Baker for another werewolf movie, so I'll go for the sunburns and Colin Farrell tattoos of the sight-unseen The Way Back.

The nominees for Best Animated Feature are: How to Train Your Dragon, The Illusionist and Toy Story 3:
And our winners would be:
CC: Though I consider Toy Story 2 the best of the trilogy, Toy Story 3 triumphs here over its very worthy rivals.
NC: Nothing toyed with audiences emotions like Toy Story 3, about which grown men admitted bawling.
KH: Toy Story 3 was an instant classic, animated or otherwise.

The nominees for Best Foreign Language Film are: Biutiful from Mexico, Dogtooth from Greece, In a Better World from Denmark, Incendies from Canada and Outside the Law (Hors-la-loi) from Algeria.
And our winners would be:
CC: Since Biutiful is the only nominee here I've seen to date, it gets my vote. It is morose in spots and gets long but it has effective moments and Bardem is great as usual.
NC: I found Biutiful anything but, so I always hope to live In A Better World.
KH: Dogtooth was a trip, but I found Biutiful emotionally and spiritually rich.

The nominees for Best Documentary Feature are: Exit Through the Gift Shop, Gasland, Inside Job, Restrepo and Waste Land.
And our winners would be:
CC: In the absence of the wonderful Joan Rivers: A Piece of Work in this category, Exit Through the Gift Shop emerges on top.
NC: Our Wall Street leaders bled us dry and all we got was this lousy T-shirt... and the chilling documentary Inside Job.
KH: Rarely does the doc branch offer up a not-so-serious nominee, and Exit Through the Gift Shop was a hoot-and-a-half.

The nominees for Best Documentary Short are: Killing in the Name, Poster Girl, Strangers No More, Sun Come Up and The Warriors of Qiugang:
And our winners would be:
CC, NC, KH: Sadly, time is truly too short to see everything and we haven't had the privilege of viewing any of these yet.

The nominees for Best Animated Short are: Day & Night, The Gruffalo, Let's Pollute, The Lost Thing and Madagascar, carnet de voyage (Madagascar, a Journey Diary).
And our winners would be:
CC: Some great work here but the odd, moving The Lost Thing is easily my favorite.
NC: Day & Night didn't say anything profound, but as they say, getting there is more than half the fun.
KH: With its mixture of old school traditional animation and 3-D CGI, Pixar's Day & Night showcased the bets of both worlds.

The nominees for Best Live Action Short are: The Confession, The Crush, God of Love, Na Wewe and Wish 143.
And our winners would be:
CC: Wish 143 is an irreverent but touching delight.
KH: It's a great year for this category, with five worthy contenders. In the end, Wish 143 proves to be as irresistible and persistent as its protagonist.

And now for our own special category of dishonorable mention, the Worst Nomination of the Year:
CC: While this is a rare year in which I feel all the nominees in every category are well-deserved, I wish the directors' branch would have passed over the Coen Brothers (who won the Best Director Oscar just 3 years ago) in favor of either Christopher Nolan for Inception or Debra Granik for Winter's Bone. True Grit, while good, isn't as strikingly directed as these two haunting visions.
NC: My pick is for the noisy incoherence of Inception as Best Picture over the superior-in-every-way Shutter Island. Leo and his wife's mental struggles were better and the whole reality vs. fantasy was so much more involving on Scorcese's creepy psycho island.
KH: I could go for such easy targets as the redundant Harry Potter Art Direction (come on, half of the movie took place in a tent!) or Randy Newman's Randy Newman-esque Toy Story theme song. Instead, I'll aim for the big guns and go with the overrated Jesse Eisenberg of The Social Network, considering his questionable Best Actor nomination Oscar-blocked such worthier candidates as Get Low's Robert Duvall and Blue Valentine's Ryan Gosling.

And finally, see the comments section below for how we would rank the 10 Best Picture nominees, just like how Academy members are required to do now when they vote.

And while you're there, tell us who and what you would vote for too!

Illustrations by Adam Simpson for the British Academy of Film and Television Arts (BAFTA).

Trivial Pursuits: Oscars 2010

Illustration by Pablo Lobato for The New Yorker
It's Oscar trivia time, 2010 edition!:

- Women at the Top: For the first time in Academy Award history, a lesbian-themed film — The Kids Are All Right — is nominated for Best Picture. It is also the first time that two Best Picture nominees — Kids and Winter's Bone — were directed by women (Lisa Cholodenko and Debra Granik, respectively).

- On the Other Hand: Three of the Best Picture nominees — 127 Hours, True Grit and Winter's Bone — feature characters with severed arms or hands.

- Top Toon: Toy Story 3 is not only the third animated film to be nominated for Best Picture (following previous nominees Beauty and the Beast and Up), it is also only the third "Part 3" to be nominated (following previous nominees The Godfather Part III and The Lord of the Rings: The Return of the King).  Plus, it is the only sequel to be nominated for Best Picture when the original film was not.

Illustration by Philip Burke for The New Yorker
- Head Games: Three Best Actress nominees — Annette Bening in The Kids Are All Right, Natalie Portman in Black Swan and Michelle Williams in Blue Valentine — were on the receiving end in steamy oral sex scenes in their movies. Their partners in said scenes — Julianne Moore, Mila Kunis and Ryan Gosling, respectively — weren't so lucky though; all strong contenders in each of their races, none of them were nominated.

- Join the Club: Speaking of Annette Bening, she now joins the ranks of acting nominees recognized for playing GLBT characters, a group that also includes her fellow 2010 nominees Javier Bardem, Colin Firth and Nicole Kidman.

- Double Down: With both The Social Network and True Grit nominated, producer Scott Rudin has twice the chance to take home another Best Picture Oscar; he previously won for No Country for Old Men.

Illustration by Luis Grañena for The New Yorker
- Best Actor Take 2: Jeff Bridges (True Grit) and Colin Firth (The King's Speech) are both nominated for Best Actor again after facing off last year in this category, where Bridges won for Crazy Heart over Firth for A Single Man. This year, Firth is the front-runner. Meanwhile, their competition from last year, Jeremy Renner (The Hurt Locker) is the only other repeat nominee, this time in the Supporting Actor category for The Town.

- Lucky Rooster: Speaking of Jeff Bridges, he is nominated for playing Rooster Cogburn in True Grit, the same role that won John Wayne the Oscar in the original Grit forty-one years ago.

- Two Times a Lady: For the sixth time in the past ten years, two performances from the same film were nominated for Best Supporting Actress: Amy Adams and Melissa Leo for The Fighter.

Illustration by Robert Risko for The New Yorker
- Music Man: If composer Alan Menken wins for his Tangled song "I See the Light", it will be his 9th Oscar, securing his status as the most Oscared person still living.

- Isn't That Special: For the first time since 1979, there are more than three nominees for Best Visual Effects.

MD Poll: If You Picked the Oscars 2010

It's that time of year again! Time for you to pick what movies and performances you would vote for if you were a member of the Academy and could vote for the best of film 2010 in the actual Oscars.

Last year, you correctly matched the real thing in three out of the five major categories: Best Picture, Best Actor, Best Actress, Best Supporting Actor and Best Supporting Actress.  But remember, this isn't about predictions, you are voting for who you want to win!

There are five separate polls, located in the right-hand sidebar, so be sure to vote in each one. The polls will run from now until Oscar Eve, February 26, when the winners of the MD Poll: If You Picked the Oscars 2010 will be revealed!

UPDATE: This poll is now closed; click here for the results, and click here to vote in the latest MD Poll.

Reverend’s Reactions: The 2010 Oscar Nominations

The sun is just starting to show itself here in Hollywood, but celebrations are already underway in the wake of the Academy Awards nominations announcement at 5:38 AM PST today. The film industry's equivalent of Christmas morning has inevitably left some kiddies disappointed while many others are gleeful today.

In general, I'm pleased with this year's contenders. I was very happy about the unexpectedly strong showing made by Winter's Bone in addition to The Social Network, The King's Speech (the leader with 12 nominations) and Inception, all of which were among my top 10 of 2010. I was also pleasantly surprised by Nicole Kidman's well-deserved Best Actress nomination for the affecting Rabbit Hole as well as the inclusion of Javier Bardem, who has been largely shut out of other awards this year, in the Best Actor category for his raw, haunting performance in Biutiful, which was also nominated as Best Foreign Language Film.

The Kids Are All Right, 2010's big GLBT-themed release, garnered a number of nominations and cemented its status in my mind as last year's most overrated movie. Annette Bening and Mark Ruffalo were deservedly honored, but the nods it received for Best Original Screenplay and Best Picture are excessive. More strained domestic drama than ballyhooed comedy, The Kids Are All Right fell way short for me despite its excellent cast.

Also highly overrated in my opinion is True Grit. While technically proficient, very well-acted (the amazing, 14-year old Hailee Steinfeld received a deserved nomination for Best Supporting Actress), and a definite improvement on the original movie version, it's also a fairly routine achievement for Joel and Ethan Coen. The brothers' latest nomination for Best Director is unjust, especially when one realizes Christopher Nolan was left out of the category for his extraordinarily creative work on Inception!

But my disappointment with the high praise heaped upon these two films is tempered by some nominations in "lesser" categories: the song "I See The Light" from Tangled as Best Song (although "You Haven't See the Last of Me" from Burlesque was somewhat surprisingly omitted, so we won't have the prospective thrill of seeing and hearing Cher sing it live during the awards ceremony); composer John Powell's Best Music Score nomination for How to Train Your Dragon; the Best Costume Design nod for the sumptuous I Am Love, our Gay and Lesbian Entertainment Critics Association pick as Best Film of the Year; and the inclusion of the hand-drawn, Jacques Tati homage The Illusionist among the Best Animated Feature contenders (alongside Dragon and Toy Story 3).

We'll have to tune in to the 83rd Academy Awards presentation on February 27 to see how everything plays out, but I'm expecting Bening and Colin Firth (Best Actor nominee for The King's Speech) at least to have continued reason to celebrate after that night.

See the comments section below for a quick look at all of this year's Oscar nominations.

By Rev. Chris Carpenter, resident film critic of Movie Dearest and the Blade California.

Awards Watch: GLBT Films of 2010 Honored

The annual Hollywood awards season is in full swing, with the Golden Globes recently announced and the Academy Awards coming up on February 27. The Social Network and The King's Speech may be the big winners thus far, but the Gay & Lesbian Entertainment Critics Association (GALECA) had some surprises among the winners of its second annual Dorian Awards, which were announced today.

GALECA is only two years old but is quickly becoming known in the industry. The organization is composed of more than 40 LGBT film and television critics from across the US as well as Canada and Great Britain. Such major publications as The Advocate, US Weekly, TV Guide and our own Movie Dearest are represented. Unlike GLAAD, which specifically honors movie and TV shows each year that show the GLBT community in a positive light, GALECA considers both mainstream and LGBT-specific projects for the Dorian Awards. Toy Story 3 and The Social Network were among GALECA's five nominees for Film of the Year in addition to the more LGBT-oriented The Kids Are All Right, Black Swan and I Am Love. The Dorian Awards are so named in honor of gay writer Oscar Wilde and his literary masterpiece, The Picture of Dorian Grey.

I Am Love was the surprise choice as the 2010 Dorian Award-winner for Film of the Year. This sensual tale stars Oscar-winner Tilda Swinton as the Russian-born matriarch of an Italian family beset by romantic entanglements of various genders and orientations. Little seen upon its theatrical release but much admired by those who have caught it, I Am Love is now available on DVD and Blu-ray.

Unlike most groups that bestow awards, GALECA doesn't separate men and women in its consideration of the Best Performances in Film and Television. This year, Annette Bening triumphed over such acclaimed fellow nominees as Colin Firth (The King's Speech), James Franco (who was nominated for his great acting in two 2010 releases, 127 Hours and Howl) and Natalie Portman (Black Swan). Bening won the Dorian Award for her excellent turn as one-half of a lesbian couple raising two teenagers in The Kids Are All Right.

In GALECA's television categories, The Good Wife won Drama of the Year while Glee won its second Dorian Award in a row for TV Comedy or Musical of the Year. Glee also won the Dorian for LGBT-themed TV Show of the Year as well as acting awards for Jane Lynch and Chris Colfer, who tied in the TV Comedy Performance of the Year category. New Glee cast member Darren Criss won GALECA's "We're Wilde About You" Rising Star Award over such other talented newcomers as Andrew Garfield (The Social Network and the upcoming Spider-Man reboot) and Black Swan's Mila Kunis. Michael C. Hall, as the sympathetic serial killer of Dexter, won the Dorian Award for TV Dramatic Performance of the Year. The HBO series Hung, about a well-endowed gigolo, was recognized as the Unsung TV Show of the Year and the new comedy Hot in Cleveland, starring Valerie Bertinelli and Betty White, won the "Campy (Intentional or Not) TV Show of the Year" Dorian.

The delightful Easy A, about a high school student who takes her Scarlet Letter reading assignment a bit too literally, won the Dorian Award for Unsung Film of the Year. Additional winners in other film-related categories were Joan Rivers: A Piece of Work (Documentary of the Year); I Love You Phillip Morris (LGBT-Themed Film of the Year); 8: The Mormon Proposition (LGBT-Themed Documentary of the Year); and Burlesque (Campy (Intentional or Not) Film of the Year). The latter beat out such dubious contenders as Sex and the City 2 and Piranha 3-D.

Finally, GALECA's prestigious "Wilde Wit of the Year Award" was given to Rachel Maddow, the openly lesbian TV and radio news host, and the group's annual "Timeless Award" — which is given to a living actor or performer with an exemplary career marked by smarts, character and wit — was bestowed upon theatre and film legend Angela Lansbury.

While this year's Academy Award nominations have yet to be announced, a number of LGBT-interest contenders are likely. Annette Bening and Natalie Portman will likely duke it out for the Best Actress Oscar, and Bening's Kids Are All Right partner, Julianne Moore, could also be nominated. Meanwhile, the Academy Award for Best Song might well go to "You Haven't Seen the Last of Me," which was sung by Cher in Burlesque and won the Golden Globe. If the song is nominated for an Oscar, Cher will likely perform it during the telecast. Her appearance alone will be enough to get virtually every gay man in the US to tune in on February 27!

See the comments section below for a quick look at this year's Dorian Award winners.

By Rev. Chris Carpenter, resident film critic of Movie Dearest and the Orange County and Long Beach Blade.

MD Poll: Global Certainty 2010

The Golden Globes are tomorrow night and, if the "real" voting was as close as it was for out latest MD Poll, it will be a heated race to victory in at least one of the Best Picture categories.

The Social Network narrowly topped the Dramatic competition, closely followed by Black Swan and The King's Speech, in a tie for second place. Meanwhile in the Comedy or Musical category, it should be smooth sailing for The Kids Are All Right, which netted more then 60% of the votes.  See the comments section below for the complete results.

Since the Oscar nominations are only two weeks away, the MD Poll will be taking a short break until then.

Awards Watch: Nominations for the 2010 Dorian Awards

The Gay & Lesbian Entertainment Critics Association (of which yours truly and my fellow Movie Dearest Men on Film Chris Carpenter and Neil Cohen are members) has announced its nominations for the group's second annual Dorian Awards, celebrating the best in film and television for 2010.

In 17 categories, including new ones this year for documentaries and "unsung" movies, GALECA has nominated a wide variety of films and TV programs, both with and without GLBT themes. Titles with multiple nominations include such big screen hits as Black Swan, The Kids Are All Right and The Social Network, while The Big Bang Theory, Glee and Modern Family represent the small screen.

See the comments section below for the complete list of nominations. Winners will be announced January 18 in Los Angeles.

Dearie Awards 2010: Movie of the Year - I LOVE YOU PHILLIP MORRIS

This was a tough choice to make at the end of a great year for GLBT-themed films, both domestic and foreign. We decided on I Love You Phillip Morris as our top pick, though, not only for its sharp, alternately hilarious and touching screenplay (which was just announced as a surprise nominee for this year's Writers Guild Awards) but for the sheer fact that it was finally released in the US after a tortured, nearly two year wait.

I Love You Phillip Morris, which starred Jim Carrey and Ewan McGregor (both delightful) in the true-life story of misguided convicts in love with each other, premiered at the Sundance Film Festival in January of 2009, then opened in virtually every European country, but saw its American opening held up by marketing concerns and financial squabbles. It finally played a number of US theaters just last month, to mixed critical and box office success. Nevertheless, everyone — gay, straight and in between — ought to see this bizarre yet oddly universal, resonant love story. We love Phillip Morris too!

Honorable Mentions:
A leading contender in this year's Oscars, The Kids Are All Right was also nominated by the WGA, as well as for a host of Golden Globe and other awards. This topical tale of a lesbian couple (the fabulous Annette Bening and Julianne Moore) coping with their rapidly maturing children's desire to develop a relationship with their sperm-donor father (a similarly great Mark Ruffalo) struck a chord among parents of all stripes. Though it received mixed reactions in the GLBT community, the general acclaim heaped upon The Kids Are All Right serves as a testament to how far we have come as film viewers and filmmakers, and the movie is probably the most significant mainstream achievement in that regard since 2005's Brokeback Mountain.

Burlesque won't go down as a cinematic classic, but this contemporary homage to A Star is Born melodramas had enough musical pizzazz and camp charm to win over gay audiences. Add Cher (in her first film role in seven years) to the time-honored mix and we had, if not a blockbuster, a Xanadu-esque pop pageant that will likely stand the test of time. As Cher prophetically sings on the soundtrack, "You Haven't Seen the Last of Me." Christina Aguilera didn't suck, Cam Gigandet showed his shapely derriere, Stanley Tucci played gay (again) and Kristen Bell amused as the alcoholic diva. Oh, and out actor Alan Cumming appeared sporadically in a variation on his Cabaret MC role. What's not to like?

Click the following links for our original reviews: I Love You Phillip Morris, The Kids Are All Right and Burlesque.

UPDATE: I Love You Phillip Morris is now available on DVD and Blu-ray from Amazon.com.

By Rev. Chris Carpenter, resident film critic of Movie Dearest and the Orange County and Long Beach Blade.

Dearie Awards 2010: Women of the Year - ANNETTE BENING & JULIANNE MOORE

How do you choose between Annette Bening’s tightly wound Alpha-mom and Julianne Moore’s warm and sensual earth mother as Woman of the Year? The answer is, you don’t! We at Movie Dearest are pleased to honor two of our finest contemporary actresses for their perfectly in-sync performances in Lisa Cholodenko’s deceptively subversive family comedy, The Kids Are All Right. As uptight Nic and laidback Jules, Bening and Moore made their unconventional family feel normal yet universal. Each woman nailed their character’s comic highs and dramatic depths and more than that, Bening and Moore truly made you believe that they were in a loving, long-term marriage.

Right before the film opened in June, Bening experienced an ironic family situation that undoubtedly dimmed her euphoria over her well-received performance. Her daughter Kathlyn Beatty was quoted as officially announcing her intention to get gender reassignment surgery and the tabloids trumpeted how “devastated” Bening’s husband Warren Beatty was at the prospect. Moore, on the other hand, found herself having to defend her character’s decision to sleep with her children’s donor father, slyly played by Mark Ruffalo. Many (lesbians and others, including our own Father Chris) cried foul, but Moore was eloquent in her praise of gay and lesbian parents and her commitment to her character’s motives and sexual orientation.

The very fact that both women give such rich, full-bodied performances in the same film may cost them each an Oscar, but we at Movie Dearest think that Moore and Bening are much more than “all right”, we think they’re perfect!

Honorable Mentions:
It must be harrowing as an actress to go where director Darren Aronofsky sends you; who can ever forget Jennifer Connelly’s vile degradation at the end of Requiem for a Dream? However, few actresses could make such a sublime experience out of losing her mind as Natalie Portman in Black Swan. The notorious perfectionist was perfectly cast as high-strung NYC ballerina Nina Sayers, who dramatically unravels once cast as the Swan Queen in Tchaikovsky’s Swan Lake. Who knew that plastic actress who played Queen Amidala in the Star Wars films had it in her? Her character’s latent lesbian desires towards her sexy rival Lily (Mila Kunis) only force her closer to and then over the edge. It’s a red-eyed, feathered freak-out you’ll never forget, and we’re in agreement with Nina herself when she says, sizing up her opening night performance, “It was perfect.”

Noomi Rapace, the previously little-known actress, made a huge international impression this year as Lisbeth Salander in the Millennium trilogy (The Girl with the Dragon Tattoo, The Girl who Played with Fire and The Girl who Kicked the Hornet’s Nest), the fierce vigilante at the heart of the bestselling books and their hit Swedish film adaptations. Unfamiliar with the character prior to seeing these movies in 2010, we were struck by the vengeful, bisexual pixie in leather but even more so by Rapace. Her full-throttle dedication to the role, which entailed harrowing scenes of sexual abuse as well as exhilarating moments of justice long denied being served, testifies to Rapace's talent and commitment. She will soon be seen in bigger projects (including the Sherlock Holmes sequel) but I expect Lisbeth will be the role for which Rapace shall be remembered.

By Neil Cohen, resident film critic of Movie Dearest and Phoenix's Echo Magazine.

Dearie Awards 2010: New Star of the Year - DARREN CRISS

Sparks flew on Glee when Chris Colfer's Kurt Hummel first met Darren Criss' Blaine, leader of rival singing group the Dalton Academy Warblers. Those sparks turned into a bonfire when the dreamy Blaine launched into an a capella rendition of Katy Perry's "Teenage Dream". Just like Kurt, we the audience knew it: we were in love. And a new star was born.

Thanks to Criss' smooth vocals and undeniable charm, "Teenage Dream" soon turned into the hottest Glee track to date. His other performances on the show — "Hey, Soul Sister" and the playfully romantic Blaine/Kurt (Blurt?) duet "Baby, It's Cold Outside" — also became "Gleek" faves. It's no wonder then that multi-talented actor/singer (known previously for his magical, musical turn as Harry Potter in a popular viral video) was quickly signed on as Glee regular. We eagerly await Criss' — and Blaine's —return when the show resumes its second season next month.

Honorable Mentions:
In a show that already serves up more than its fair share of beefcake, it must be hard for the new hunk on the block to stand out. But when Joe Manganiello, as heroic wolf man Alcide Herveaux, first stepped on to True Blood (and out of his clothes... Google it), we definitely took notice; his sexy shape shifter leaves us howling at the moon.

As for the big screen, no other actress had as great a breakout year in 2010 than Mia Wasikowska. Her first major starring role was as the title character in the worldwide smash Alice in Wonderland (and its endless franchise potential). Later in the year, she proved she has the acting chops playing daughter to moms Annette Bening and Julianne Moore in the indie hit The Kids Are All Right.

Monthly Wallpaper - January 2011: 2010 - The Year in Film

As 2010 comes to a close, it is time to look back on the year in film, and what better way then with the Movie Dearest calendar wallpaper for next month!

A dozen of 2010's most popular movies make up the collage, so you can spend all of January gazing at the likes of Aron, Bertie, Cobb, Ken, Lisbeth, Nic & Jules, Nina, Philip & Steven, Ree, Rooster and the rest. What a way to start off a new year!

Just click on the picture above to enlarge it to its 1024 x 768 size, then right click your mouse and select "Set as Background", and you're all set. If you want, you can also save it to your computer and set it up from there, or modify the size in your own photo-editing program if needed.

Reel Thoughts: The 2011 Neelys!

2010 has yielded a bumper crop of amazing performances, such as Natalie Portman’s crazed dancer in Black Swan, Christian Bale’s quivering crackhead in The Fighter, Julianne Moore and Annette Bening’s utterly normal but lovably crazy moms in The Kids Are All Right and breakout turns by youthful Chloe Grace Moretz in Kick-Ass and Let Me In and Hailee Steinfeld in True Grit. The films themselves, by and large, may not have cracked the top ten in other years. For that reason, any "Best of" lists you’re likely to read are completely valid but totally subjective. Except for the Neelys, which truly do recognize the best and worst Hollywood had to offer, named for the unfortunately boozy, pill-popping starlet played by Patty Duke in Valley of the Dolls.

10. I Love You Phillip Morris: This wildly offensive and hilarious love story between a sociopath and his Southern prison squeeze gave Jim Carrey and Ewan MacGregor free reign to have a ball. It would have ranked higher, but the flippant tone robbed the men’s relationship of real chemistry, and MacGregor’s phony accent grates.

9. The Town: Testosterone alert! Maybe Good Will Hunting wasn’t a fluke. Director Ben Affleck crafted a smart, exciting heist movie where his beloved Charlestown, Boston is a starring character itself. Affleck, Jon Hamm and especially Jeremy Renner give powerful, rough-edged and ridiculously sexy performances. Plus, those wrinkly nun masks are super creepy!

8. Winter’s Bone: Jennifer Lawrence bursts onto the scene in a tough, unsentimental performance as a girl who goes on a grueling quest to find her no-good father and save her family before they lose their home. Director Debra Granik creates a world of lawlessness, poverty and violence so real, you need a shower after watching it.

7. Please Give: Nicole Holofcener’s latest tale of upper class social guilt is smart, funny and features a priceless performance by Catherine Keener. She plays a mid-century modern furniture dealer who gets her best stuff by raiding estate sales of unsuspecting next-of-kin. Look for The Dick Van Dyke Show’s Millie Helper, Ann Guilbert, as Keener’s ancient and cranky neighbor.

6. The King’s Speech: A veddy British drama about King George VI (Colin Firth), Queen Elizabeth’s father, and his debilitating struggle with stuttering. Geoffrey Rush plays the speech therapist that saved the King, and Helena Bonham Carter gives a richly funny performance as the Queen Mum. Firth will surely earn the Oscar he was denied last year.

5. Toy Story 3: The third time is a charm indeed, as reality intrudes on the sunny lives of Woody, Buzz Lightyear and the gang. Andy is off to college, and he intended to store his toys in the attic, but a mix-up sends them to a hellish prison disguised as a daycare center. The filmmakers explore every human emotion possible in the form of lovable playthings, and Barbie’s Ken nearly pirouettes out of the closet; being Disney, it’s only implied, but come on... he wears an ascot!

4. The Social Network: David Fincher creates an endlessly fascinating film that Facebook creator Mark Zuckerberg probably doesn’t “Like”. Jesse Eisenberg plays Zuckerberg as an anti-social narcissist who created Facebook after being dumped by his girlfriend.

3. Black Swan: The wildest mind trip of the year, Darren Aronofsky’s ballet thriller is part Roman Polanski meltdown, part Showgirls-style sex and seduction. Natalie Portman plays the role of her life as a mentally fragile ballerina who cracks under the pressure of playing the two-sided Swan Queen in Swan Lake. Mila Kunis sizzles as Portman’s rival who may or may not want to be her lover.

2. The Kids Are All Right: A backlash has developed against Lisa Cholodenko’s unconventional family dramedy, but I still find it fresh, funny and full of wise and witty performances. Julianne Moore glows as earthy Jules, and Annette Bening sparkles as her brittle doctor wife who has to face the ugly truth of infidelity. Mia Wasikowska (Alice in Wonderland) and Josh Hutcherson shine as the titular kids who find more than they bargained for when they locate their sperm donor dad (sexy Mark Ruffalo). Is it a slap in audiences’ faces that Moore fools around with Ruffalo? Not if she was just responding to his attention and passion to reawaken her own dormant sexuality. She’s still gay and the two women still love each other, but Cholodenko doesn’t really care if people are offended. It’s the film she wanted to make, based on elements she and co-writer Stuart Blumberg actually lived through.

And the 2011 Neely goes to…

1. True Grit: Did the old John Wayne/Kim Darby western really need a remake? With the Coen Brothers at the helm, the answer is a resounding yes. Jeff Bridges is a marvel as drunken, trigger-happy Rooster Cogburn and Hailee Steinfeld is amazingly self-assured as Mattie Ross, a stubborn fourteen year old in the wildest of Wild Wests. Matt Damon is a hilarious foil to Bridges, and the Coens create a vivid old-time world through spot-on dialogue, gorgeous production values and inventive performances.

Of course, I always hear that my Worst Ten List is the readers’ favorite part, so here are the misfires, monstrosities and hot messes of the year:

10. The Tourist: A film that makes Johnny Depp boring and Angelina Jolie frivolous is quite a sad accomplishment. Florian Henckel von Donnersmarck lavishes attention on Jolie’s gorgeous clothes, but lets Depp flail listlessly as the most improbable math teacher in the history of film.

9. Prince of Persia: The Sands of Time: Why do white people playing Persians all speak with British accents? Jake Gyllenhaal sports a Billy Ray Cyrus wig, but his manly physique is the only saving grace in this noisy, pompous, overblown melodrama. I sure hope the video game this is based on is more entertaining.

8. Clash of the Titans: Hunky but vacant Sam Worthington makes Harry Hamlin look like Olivier, and Liam Neeson seems visibly pained to shout “Release the Kraken!” in this misguided fantasy film only made worse by the addition of cheesy 3-D. Poor Gemma Atherton makes her second appearance on the list after her embarrassing Prince of Persia performance, proving that a Royal Academy of Dramatic Arts education doesn’t give you taste in projects.

7. Dinner for Schmucks: As funny as a plate of dog poop, this unnecessary remake of a French film squandered the talents of Paul Rudd and Steve Carell in the least funny comedy of the year. Carell’s stuffed mice dioramas had more life and energy.

6. The Last Airbender: The Lousy Airblunder is a better name for M. Night Shamalyan’s latest pretentious mess. Dev Patel squanders his Slumdog Millionaire good will glowering through his role of a disgraced prince, while a trio of forgettable child actors pretends to control the four elements. Nothing will control your boredom.

5. The Bounty Hunter: Gerard Butler is the anti-Hugh Jackman, choosing role after role in cinematic stink bombs, and this sour romantic comedy is no exception. Jennifer Aniston tries to charm, but the story is so full of nasty violence and misogynist characters, you won’t get the bad taste out of your mouth for weeks.

4. Splice: A nasty hybrid escaped earlier this year that was cobbled together from the damaged DNA of a dozen better movies. No, I am not talking about “nerd-spelled-backwards” Dren, the monster at the center of the hoot-worthy Splice. The film itself was a sickly retread of many superior films that took the intriguing idea of genetic experimentation and turned it into a cringe-inducing freak show. Sarah Polley and Adrian Brody definitely need new agents.

3. Furry Vengeance: A bloated Brendan Fraser squares off with a bunch of pissed-off woodland creatures in a horrifying comedy that could have been crafted by Sarah Palin and the NRA. The animals are repulsive, the humans are more repulsive and the whole film feels like it was made for pocket change. The whole thing reminds me of a 1973 issue of "House of Mystery" where the forest creatures drowned a little boy to teach man a lesson about respecting the environment. Watching Furry Vengeance made me wish I were that toddler.

2. Eat Pray Love: 2010 was a year filled with natural disasters, but Glee creator Ryan Murphy’s excruciating version of Elizabeth Gilbert’s memoir was a pompous, self-congratulatory, insufferably cutesy disaster to rival them all. Not even Julia Roberts, Richard Jenkins and Javier Bardem could elevate this chick flick fiasco.

1. Standing Ovation: Billed as “Junior High School Musical”, this misshapen maelstrom of horrible acting, miserable musical numbers and idiotic writing could single-handedly end funding for the arts in our schools. With dialogue like “I’m Alanna Wannabe, and I’m gonna be!” and a band of mean girls named “The Wiggies”, it’s like From Justin to Kelly, without the charm. So painful, it’s considered a human rights violation in thirty-seven countries.

And the coveted Elizabeth Berkley Award for unfortunate acting goes for the first time to an unknown, who will, we can pray, remain that way. From the truly wretched Standing Ovation, the hilarious low point was, hands-down, little Alanna Palombo. With a foghorn voice and an Elmer Fudd accent, this pint-sized moppet overacts so horrifically, you will swear she’s in 3-D. Those arguing whether Black Swan or Burlesque is the new Showgirls should aim a little lower. Shrill Palombo and her talent-deprived tweens make Standing Ovation the cult classic of the year.

By Neil Cohen, resident film critic of Movie Dearest and Phoenix's Echo Magazine.

MD Poll: Global Possibilities 2010

Once again, it's time for our annual MD Poll look at the Golden Globes. And this year, they're even more controversial then ever!

Pick the movies you think will win in the Globes' top two categories, Best Picture - Drama and Best Picture - Musical or Comedy. Place your votes in the two polls located in the right hand sidebar, and be sure to vote in both of them! Results will be revealed on January 15, the day before the Golden Globe telecast.

UPDATE: This poll is now closed; click here for the results, and click here to vote in the latest MD Poll.

MD Poll: Bloody Good Costumes

When it comes to Halloween costumes for 2010, MD Poll-takers prefer theirs' with a little teeth... and a lot of blood... True Blood, that is. Of course, well all know that the vampires, werewolves, et al from that hit show spend most of their time in their birthday suits... which should make for some fun trick or treating this year.

Johnny Depp's take on the Mad Hatter came in a close second, while Glee's Sue Sylvester rounded on the top three Halloween costume ideas. See the comments section below for the complete stats.

Reverend's Reviews: DVD Tricks & Treats

Halloween is here, and it isn't just the domain of confectionaries and costume designers any more. Rather, GLBT filmmakers and production companies have gotten into the act with movies and home video releases. Some of their current or upcoming DVDs are thematically-appropriate to the season, while others are just trying to beat the end-of-the-year holiday rush. Predictably, not all of them are of equal quality, with a few the cinematic equivalent of finding a razor blade in one's caramel apple.

I had high hopes for Stuck!, out on DVD November 9 from Ariztical Entertainment. With a cast that includes Karen Black, Mink Stole and The Go-Gos' Jane Wiedlin, this send up of 1950's women-in-prison movies just screams potential camp classic, at least on paper. In execution, it is a rarely humorous affair. Young, naïve Daisy (Starina Johnson) is wrongfully accused of murdering her mother thanks to her histrionic, nearly blind neighbor (Black, the best and funniest thing in the film). Sentenced to hang, Daisy meets a variety of unusual women on death row, some all too eager to make her nubile, virginal acquaintance.

The movie, directed by Steve Balderson, gets a lot of the physical period details right in the costumes, hairstyles and sets. Unfortunately, Stuck! is more serious than funny and goes on too long, by and large wasting the talented cast in the process.

Also out on DVD November 9 and even more worthy of criticism is David's Birthday (Wolfe Video). This Italian melodrama by the director of 2003's superior Adored: Diary of a Porn Star has pretensions of operatic tragedy with its story of a conflicted married man attracted to his best friends' college-age son. The film ends up being conflicted itself and the result is a far-from-gay-affirming tale.

With its opening scenes from a performance of Wagner's Tristan und Isolde that the principal characters are watching, we know that one or more of the love stories in David's Birthday is going to end badly. As one of the operagoers remarks, "It's about a love so absolute, so devastating; who wouldn't want that?" It turns out that Matteo (played by Massimo Poggio) does, and he wants it with David, the gorgeous young man of the film's title (played by the appropriately gorgeous Thyago Alves). Matteo is seemingly happily married to Francesca (the great Maria de Medeiros, who played the bisexual writer Anaïs Nin in 1990's Henry & June). But when Matteo and Francesca visit David's parents at their summer rental on the Italian seashore, the stage is set for romance, infidelity and disaster.

David's Birthday is a beautifully shot and well-acted movie (although Poggio doesn't pull off a drunk scene convincingly), but to call the character of Matteo and the screenplay in general overwrought would be an understatement. By the time Matteo finally acts on his excessively-suppressed infatuation with David, with predictably devastating consequences, you'll likely be ready to throw yourself into the Mediterranean.

But don't despair! Now that I've gone through your trick-or-treat bag and pointed out the bad stuff, there are a few home video goodies left over. The best is Ticked-Off Trannies with Knives from Breaking Glass Pictures, which is playing at Laemmle's Sunset 5 Theatre in Los Angeles starting today prior to its November 9 DVD release.

Although GLAAD denounced the film as "transphobic" and protested its premiere this summer at the Tribeca Film Festival, I can attest that Ticked-Off Trannies is hardly offensive to anyone in the Trans, Gay, Lesbian or Bisexual community who has a sense of humor. GLAAD's reaction to the movie also confirms for me why I've been reluctant to donate lately to this historically commendable but, more recently, somewhat schizophrenic organization. Why is GLAAD attacking a well-intentioned and talented member of our community — in this case, openly gay writer-director Israel Luna — rather than non-GLBT filmmakers who so often make us look bad?

Ticked-Off Trannies is a lovingly crafted homage to/critique of the women's exploitation movies of the 1970's, in which abused women would eventually exact revenge on the men who raped or beat them or killed their female friend(s). Luna wittily revives the grainy film stock, over-exposed shots, jumpy editing and fast zoom shoots of the era, not unlike Quentin Tarantino did a few years back with his tribute, Grindhouse. Here, though, the women are transgender and the film's pop cultural sensibility is decidedly modern. To wit, one character exclaims "Jesus Christ Meryl Streep, girl!" while another tells the film's rapist-murderer (named "Boner"), "If I saw you on Facebook, I'd ignore you and report you!"

The girls are understandably upset when Boner and his henchmen kill one member of their gang and leave another for dead. Suitably, the survivors plot and execute nasty, excessively violent vengeance against the men who did them wrong. A Kung Fu-esque martial arts training sequence (!) in the film's mid-section provides the women with the extra advantage they'll need to take out their misogynist, homophobic adversaries.

With names like Emma Grashun, Rachel Slurr and Tipper Sommore, neither the "trannies" nor the film's plot are to be taken too seriously. It's unfortunate that GLAAD apparently did so. Don't let their misguided condemnation of this movie keep you from having a hilarious, trans-glorifyingly good time.

BearCity, out on DVD November 16 from TLA, isn't quite as good but is still enjoyable, especially if you are a member of the bear/cub/wolf subculture (sub-species?) within the gay community. Not being a part of the scene, this film served as an interesting exploration for me.

Young, thin actor Tyler (Joe Conti) has a secret he hasn't even shared with his twink best friend, Simon (cute Alex DiDio): he's attracted to bigger, hairier men. Tyler rents a room from a bear-cub couple, unaware that they are looking to spice up their relationship with a potential threesome. He also makes the acquaintance of another couple, Michael and Carlos. Michael (played by Gregory Gunter) is a larger, older man who wants to undergo the "lap band" procedure to lose weight. His younger, in-shape partner, Carlos (James Martinez), likes him just the way he is (Carlos lovingly refers to Michael as "Gordito") and is horrified by Michael's decision.

Michael and Carlos's situation adds a deeper, unexpectedly touching dimension to the mostly comedic or sexual shenanigans in BearCity. The script, by Doug Langway and Lawrence Ferber, features nice, authentic repartee among the guys but can't quite decide whether to show the bear lifestyle as wholesome or debauched. That discrepancy and some truly awful original songs keep me from rating BearCity too highly, but one can do a lot worse at Halloween or any other time of year.

While I wasn't as high on it as many GLBT viewers have been since its theatrical release in July, The Kids Are All Right will make its Blu-Ray and DVD debut on November 16, just in time for Thanksgiving. The film, which boasts excellent performances by Annette Bening and Julianne Moore as a lesbian couple raising two teenagers, may serve as ideal, post-meal viewing for you and yours.

Reverend's Ratings:
Stuck!: C-
David's Birthday: D
Ticked-Off Trannies With Knives: B+
BearCity: C+
The Kids Are All Right: B-

Review by Rev. Chris Carpenter, resident film critic of Movie Dearest and the Orange County and Long Beach Blade.