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Minggu, 31 Juli 2011

Monthly Wallpaper - August 2011: Toon Heroes

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The wisecracking sidekicks and scene-stealing villains usually get all the attention, but it is the brave and bold Toon Heroes who get the spotlight in this month's Movie Dearest Calendar Wallpaper.

The animated action heroes and heroines of August include such American faves as Pocahontas, Hiccup and the Iron Giant, as well as such international favorites as Kiki, Akira and Wallace & Gromit, plus Roger Rabbit, the original 'toon' star.

All you have to do is click on the picture above to enlarge it, then simply right click your mouse and select "Set as Background". (You can also save it to your computer and set it up from there if you prefer.) The size is 1024 x 768, but you can modify it if needed in your own photo-editing program.

Senin, 08 Maret 2010

Awards Watch: Yearly Round Up 2009

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Once again, Movie Dearest has tallied up the total trophies handed out by the top 28 organizations, critics groups and industry guilds to get a clearer picture of what is indeed the Best Picture (et al) of the year; only categories with at least two wins are included.

Picture of the Year: The Hurt Locker, 10 wins
Actor of the Year: Jeff Bridges in Crazy Heart, 6 wins
Actress of the Year: Sandra Bullock in The Blind Side and Meryl Streep in Julie & Julia, 4 wins each
Supporting Actor of the Year: Christoph Waltz in Inglourious Basterds, 10 wins
Supporting Actress of the Year: Mo'Nique in Precious: Based on the Novel Push by Sapphire, 12 wins
Director of the Year: Kathryn Bigelow for The Hurt Locker, 9 wins
Adapted Screenplay of the Year: Jason Reitman and Sheldon Turner for Up in the Air, 7 wins
Original Screenplay of the Year: Mark Boal for The Hurt Locker, 3 wins
Cinematography of the Year: The White Ribbon, 4 wins
Art Direction of the Year: Avatar, 4 wins
Costume Design of the Year: The Young Victoria, 4 wins
Original Score of the Year: Up, 6 wins
Original Song of the Year: "The Weary Kind" from Crazy Heart, 4 wins
Film Editing of the Year: The Hurt Locker, 5 wins
Sound Mixing & Editing of the Year: The Hurt Locker, 4 wins
Visual Effects of the Year: Avatar, 9 wins
Animated Feature of the Year: Up, 7 wins
Foreign Film of the Year: Summer Hours, 3 wins
Documentary Feature of the Year: The Cove, 5 wins
Acting Ensemble of the Year: Inglourious Basterds, 2 wins
New Actor/Actress of the Year: Gabourey Sidibe in Precious: Based on the Novel Push by Sapphire, 3 wins
New Director of the Year: Duncan Jones for Moon

The top winner was The Hurt Locker, with wins in 5 categories, while Precious supporting actress Mo'Nique won the most awards in any category, with 12 total.

See the comments section below for the list of the 28 groups tracked.

Awards Watch: Oscars Post Mortem 2009

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Seriously, wtf was that?

Well, I suppose after the high point that was last year's Oscar ceremony, the only way to go was down. And the signs were there that this year's program was going to be a letdown for some time now, from co-producer Adam Shankman referring to it as the "best-dressed reality show" to the axing of the Best Song performances. But who knew it would fail so badly?

From the sloppy direction to the banal presenter banter to the needlessly complicated eyesore of a set, first time producers Shankman and Bill Mechanic cranked out one bad choice after another, turning the show into a prime example of what most people knee-jerkingly call it year after year: a long, dull evening filled with the moviemaking elite congratulating themselves.


Did we really need yet another cheeky/cheesy Neil Patrick Harris/Marc Shaiman musical number? How about hosts Steve Martin and Alec Baldwin trotting out the ol' standard, let's-poke-fun-at-Hollywood schtick? And all do respect to John Hughes, but how do you justify giving seven minutes to someone who was never nominated for an Academy Award and relegate poor Honorary Oscar winner Lauren Bacall to an awkward "stand up and take a bow" moment? And don't get me started on the "In Memoriam" omissions, most glaringly Farrah Fawcett and Beatrice Arthur.

To be fair, the longer film clips of the nominated movies were welcome, and the actual awards themselves (though screamingly predictable at this point in the season) offered some of the evening's few highlights, including great speeches by Sandra Bullock, Up composer Michael Giacchino and Mo'Nique, among others. And who could resist the "only on live TV" awkwardness that was brought to us by the documentary winners?


And let's not forget the evening's milestones, including the Academy's first ever female director winner, The Hurt Locker's Kathryn Bigelow, and its first ever African American screenplay winner, Precious' surprise victor Geoffrey Fletcher. Oh, and I'll just say it: thank god Avatar didn't win Best Picture!

On the other hand, by the time the lead acting categories rolled around, with its sloppy seconds take on last year's unique presentation, this longtime Oscar watcher was more than ready to draw the curtain on the 2009 movie awards year. And that's just what we'll do later today, with our third annual yearly round up of the best of the best of the year.

Minggu, 07 Maret 2010

Awards Watch: Oscars 2009

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And the winners of the 82nd Annual Academy Awards were ...

Best Picture: The Hurt Locker - Producers: Kathryn Bigelow, Mark Boal, Nicolas Chartier and Greg Shapiro
Best Actor: Jeff Bridges in Crazy Heart
Best Actress: Sandra Bullock in The Blind Side
Best Supporting Actor: Christoph Waltz in Inglourious Basterds
Best Supporting Actress: Mo’Nique in Precious: Based on the Novel Push by Sapphire
Best Director: Kathryn Bigelow for The Hurt Locker
Best Adapted Screenplay: Precious: Based on the Novel Push by Sapphire - Geoffrey Fletcher
Best Original Screenplay: The Hurt Locker - Mark Boal
Best Cinematography: Avatar - Mauro Fiore
Best Art Direction: Avatar - Art Direction: Rick Carter and Robert Stromberg, Set Decoration: Kim Sinclair
Best Costume Design: The Young Victoria - Sandy Powell
Best Original Score: Up - Michael Giacchino
Best Original Song: “The Weary Kind” from Crazy Heart - Music and Lyric by Ryan Bingham and T Bone Burnett
Best Film Editing: The Hurt Locker - Bob Murawski and Chris Innis
Best Sound Mixing: The Hurt Locker - Paul N.J. Ottosson
Best Sound Editing: The Hurt Locker - Paul N.J. Ottosson and Ray Beckett
Best Visual Effects: Avatar - Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones
Best Makeup: Star Trek - Barney Burman, Mindy Hall and Joel Harlow
Best Animated Feature: Up - Pete Docter
Best Foreign Language Film: The Secret in Their Eyes (El Secreto de Sus Ojos) - Argentina
Best Documentary Feature: The Cove - Louie Psihoyos and Fisher Stevens
Best Documentary Short: Music by Prudence - Roger Ross Williams and Elinor Burkett
Best Animated Short: Logorama - Nicolas Schmerkin
Best Live Action Short: The New Tenants - Joachim Back and Tivi Magnusson

The Hurt Locker led the night with six wins, followed by Avatar with three and two each for Crazy Heart, Precious and Up.  The official Movie Dearest predictions correctly picked 18 out of the 24 categories, one more than last year (drat those short films!).

Tune in tomorrow for our annual "Oscar Post Mortem", where we'll have a thing or two (or three) to say on tonight's show. We'll also have our "Yearly Round Up", where we take a look at all the major movie awards from the past year to see what really was the best of 2009.

Reel Thoughts: Oscar Love (and Hate)

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When the curtain rises on the Oscars tonight, there won’t be much notice of Tom Ford’s gorgeous drama, A Single Man. The story of a gay man dealing with the death of his partner didn’t get much Oscar love. Except for Colin Firth’s Best Actor nomination, the movie was ignored.  Just as Brokeback Mountain lost Best Picture, Best Actor and Best Supporting Acting honors to lesser challengers in 2006, this year, the GLBT community is again reminded that being “too gay” is the kiss of death as far as Oscar is concerned.

Still, there is a lot to love about Oscars this year ... and a lot to hate:

Best Pictures:
Love It: Ten Best Pictures are nominated, including Precious: Based on the Novel Push by Sapphire (directed by out director Lee Daniels), Inglourious Basterds, Up and District 9.
Hate It: Ten Best Pictures nominated include Avatar and The Blind Side, but not A Single Man or Julie & Julia.


Acting Nominations:
Love It: In a year that really wasn’t so great, great performances still happened, and Oscar noticed with nominations for Firth, Meryl Streep (Julie & Julia), Christoph Waltz (Inglourious Basterds), Mo’Nique (Precious), Jeff Bridges (Crazy Heart), Helen Mirren (The Last Station) and newcomer Carey Mulligan (An Education).
Hate It: No nominations for Julianne Moore (A Single Man), Michael Stuhlbarg (A Serious Man) or Irving Thalberg Memorial Award for Mariah Carey’s Precious mustache.

Oscar Music:
Love It: There’s a nice mix of Best Song nominees, thanks to Crazy Heart, The Princess and the Frog, Nine and some French movie no one has ever heard of.
Hate It: But we won't hear the songs. Producer Adam Shankman (Hairspray) has cut the live performances from the Oscars telecast. Come on! It’s not like Snow White was going to do a reprise with Rob Lowe.


Oscar Party Food:
Love It: There are great Oscar food inspirations this year! District 9 Prawns (or ... canned cat food?), Crazy (Artichoke) Hearts, a Coralime Jell-O Mold, Inglourious Strudel (don't forget the cream!), Hot Cocoa Before Chanel, Precious Pigs Feet (ew), etc. And if you're lazy, just get Taco Bell à la The Blind Side.
Hate It: Avatar’s inclusion means lots of blue food, except there are no really blue foods ... perhaps Blueberry Avatarts? Na'vi Blue Curacao Martinis will mean lots of hangovers the morning after.

First Nominations:
Love It: Sandra Bullock (The Blind Side) and Christopher Plummer (The Last Station) got their first nominations ... finally!
Hate It: Director Tom Ford and his brilliant art director Dan Bishop did not get nominated for A Single Man. If that movie wasn’t a brilliant bit of art direction, what was it?


Now, on to the part I love ... Picking the Oscars!:

Best Actor:
Who Should Win: Colin Firth gave a heart-breaking performance as George Falconer, an outwardly closeted man whose life partner is killed, and who wishes to join him in A Single Man. George Clooney is great in Up in the Air, and so is the man who will win, but it’s really hard to pull off the quiet intensity that Firth masters.
Who Will Win: Jeff Bridges, as a washed up but still pretty talented country singer in Crazy Heart. Bridges lives and breathes his role, and he’s considered “owed” the award.

Best Actress:
Who Should Win: Meryl, Meryl, Meryl! Saying it enough won’t make it happen. Her Julia Child in Julie & Julia was as light as a perfect soufflé, yet as earthy and grounded in real human emotions as a hearty stew. Streep makes it all look too easy, but she is never less than brilliant.
Who Will Win: Sandy, Sandy, Sandy! If any year belongs to Sandra Bullock, it’s this year. Hollywood loves a success story, and with her tart and funny performance in The Proposal and her immensely warm and lovable role in The Blind Side, she’s as unstoppable as Big Mike!


Best Supporting Actor:
Who Should and Will Win: This one’s easy. Remember a certain unknown actor who electrified people as a cold and murderous Nazi in Schindler’s List? Ralph Fiennes became a star and got his first Oscar nomination (and should have won over The Fugitive's Tommy Lee Jones). Christoph Waltz is a different man playing a different Nazi “Jew Hunter” in Inglourious Basterds, but he is no less thrilling to watch. He should win. He will win.

Best Supporting Actress:
Who Should and Will Win: If Waltz’s character was a hate-filled black woman living in the slums of New York, taking her wrath out on her obese daughter and grandchildren rather than helpless Jews, he still wouldn’t be all of the marvelous, horrifying, pitiful and raw things that Mo’Nique is in Precious. The actress is getting a lot of flack for not seeming grateful enough for Oscar’s love, but honey, that performance stands on its own (as Mo’Nique herself might say).

Best Picture:
What Should Win: Jason Reitman is an amazingly smart and talented director, able to create seemingly flippant films with surprising heart and soul. Up in the Air is his best work yet. In terms of achieving all that it attempted, it deserves the title of Best Picture.


What Will Win: The front-runners are The Hurt Locker and Avatar. I wouldn’t be hurt by a Locker upset, even though the film isn’t much more than one tense bomb-diffusing scene after another. But it does capture the hell of being in the Iraq War. Avatar however, is the big blue monster that can’t be stopped. It will win, and somewhere cinematic angels will weep.

The 82nd Annual Academy Awards will be presented live on ABC tonight.  Movie Dearest will chime in after the show with a quick round up of the winners, and we'll offer our full "Oscar Post Mortem" tomorrow.

By Neil Cohen, resident film critic of Movie Dearest and Phoenix's Echo Magazine.

Inglourious Basterds illustration by Morning Breath for Upper Playground. All other illustrations by Tavis Coburn for the BAFTA Awards.